Dark Mode Light Mode

Keep Up to Date with the Most Important News

By pressing the Subscribe button, you confirm that you have read and are agreeing to our Privacy Policy and Terms of Use
Follow Us
Follow Us
Contact Contact

Timor-Leste Artist Maria Madeira to Showcase Resilience and Cultural Identity at Venice Biennale

Timor-Leste artist Maria Madeira’s site-specific installation at the Venice Biennale explores themes of displacement, trauma, and resilience through local materials and performative elements.
Timor-Leste Artist Maria Madeira to Showcase Resilience and Cultural Identity at Venice Biennale Timor-Leste Artist Maria Madeira to Showcase Resilience and Cultural Identity at Venice Biennale
Timor-Leste Artist Maria Madeira to Showcase Resilience and Cultural Identity at Venice Biennale

Maria Madeira
Kiss and Don’t Tell
April 20–November 24, 2024

Maria Madeira, a prominent contemporary artist from Timor-Leste, will represent her country at the upcoming 60th International Venice Biennale, taking place from April 20 to November 24, 2024.

Madeira’s participation marks Timor-Leste’s inaugural pavilion at the prestigious art exhibition and coincides with the 25th anniversary of the country’s independence. The Timor-Leste Pavilion is commissioned by the Ministry of Youth, Sports, Arts and Culture and curated by Professor Natalie King OAM.

Advertisement

Madeira’s site-specific installation, titled Kiss and Don’t Tell, draws on her personal experiences of displacement and her deep connection to Timor-Leste’s traditions and history. The immersive artwork incorporates local materials such as tais (traditional textile), betelnut, earth, and pigments.

Responding to the Venice Biennale’s overarching theme, Stranieri Ovunque—Foreigners Everywhere, curated by Adriano Pedrosa, Madeira’s work explores themes of displacement, trauma, and resilience. She imbues the installation with her lived experience of growing up in a refugee camp in Portugal with her mother.

Through performative elements, Madeira kisses the walls of the pavilion while singing traditional songs from her village in the Indigenous language Tetun. One of the songs she will sing is Ina Lou, a haunting Timorese mourning song known across generations.

Madeira’s cultural activism pays homage to the women of Timor-Leste and the suffering of women globally. Her installation offers solace and a murmur of hope and healing.

Keep Up to Date with the Most Important News

By pressing the Subscribe button, you confirm that you have read and are agreeing to our Privacy Policy and Terms of Use
Add a comment Add a comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Previous Post
Istanbul Biennial Controversy: Campaign Group Demands Accountability and Transparency

Istanbul Biennial Controversy: Campaign Group Demands Accountability and Transparency

Next Post
Babylonian Artifact Transfer Raises Concerns Amid Conflict

Babylonian Artifact Transfer Raises Concerns Amid Conflict