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Chisenhale Gallery Launches 2025 Curatorial Fellowship Open Call for Early Curators

Chisenhale Gallery Launches 2025 Curatorial Fellowship Open Call for Early Curators

Chisenhale Gallery Launches 2025 Curatorial Fellowship Open Call for Early Curators

Education

October 12, 2024

THE PILL® Gallery Expands to Paris with Apolonia Sokol’s Inaugural Exhibition

THE PILL® Gallery Expands to Paris with Apolonia Sokol’s Inaugural Exhibition

THE PILL® Gallery Expands to Paris with Apolonia Sokol’s Inaugural Exhibition

October 5, 2024

International Biennial Association’s 11th General Assembly at Lyon Biennale: Fostering Sustainable Biennials

International Biennial Association’s 11th General Assembly at Lyon Biennale: Fostering Sustainable Biennials

International Biennial Association’s 11th General Assembly at Lyon Biennale: Fostering Sustainable Biennials

Events

October 5, 2024

Michelangelo’s Earliest Known Sketch ‘Study of Jupiter’ on Sale at Florence Biennale

Michelangelo’s Earliest Known Sketch ‘Study of Jupiter’ on Sale at Florence Biennale

Michelangelo’s Earliest Known Sketch ‘Study of Jupiter’ on Sale at Florence Biennale

October 2, 2024

Sam Risley, Coppice, 2022. Single-channel 4K video projection; screen made from fallen cedar; Alder viewing bench made from Alder that fell from natural causes during Storm Eunice; Stereo sound, 35mins. Installation view, Goldsmiths’ University of London. Courtesy of the artist. India Sky Davis, The Life Cycle of Rainbows (still), 2021. Video. Courtesy of the artist. Gerard Ortín Castellví, Acrimonia, 2019. Installation view, Goldsmiths’ University of London. Courtesy of the artist. Aoibheann Greenan, Dingbox (still), 2020. Video. Courtesy of the artist. Carla Andrade, Ningún río me protexe de min (No river protects me from myself), 2019. Multi-channel video installation. Installation view, Goldsmiths’ University of London. Courtesy of the artist. Rita Morais, Há ouro em todo o lado (There is gold everywhere) (still), 2022. Single-channel film installation. Courtesy of the artist. Bronte Dow, Soundings, 2019. Single-channel video installation; sound; 46min. Installation view, Goldsmiths’ University of London. Courtesy of the artist. Leonie Kellein, A Wing Beat! A Wing Beat! 2022. Single-channel video installation, sound, sculptural objects. Installation view, Goldsmiths’ University of London. Courtesy of the artist.

Sam Risley, Coppice, 2022. Single-channel 4K video projection; screen made from fallen cedar; Alder viewing bench made from Alder that fell from natural causes during Storm Eunice; Stereo sound, 35mins. Installation view, Goldsmiths’ University of London. Courtesy of the artist. India Sky Davis, The Life Cycle of Rainbows (still), 2021. Video. Courtesy of the artist. Gerard Ortín Castellví, Acrimonia, 2019. Installation view, Goldsmiths’ University of London. Courtesy of the artist. Aoibheann Greenan, Dingbox (still), 2020. Video. Courtesy of the artist. Carla Andrade, Ningún río me protexe de min (No river protects me from myself), 2019. Multi-channel video installation. Installation view, Goldsmiths’ University of London. Courtesy of the artist. Rita Morais, Há ouro em todo o lado (There is gold everywhere) (still), 2022. Single-channel film installation. Courtesy of the artist. Bronte Dow, Soundings, 2019. Single-channel video installation; sound; 46min. Installation view, Goldsmiths’ University of London. Courtesy of the artist. Leonie Kellein, A Wing Beat! A Wing Beat! 2022. Single-channel video installation, sound, sculptural objects. Installation view, Goldsmiths’ University of London. Courtesy of the artist.

Call for applications 2022: Artists’ Film & Moving Image Master’s at Goldsmiths

Education

November 29, 2022

byDaily Art News