Skip to content Skip to footer
Ebony G. Patterson, ...and the dew cracks the earth, in five acts of lamentation...between the cuts...beneath the leaves...below the soil..., 2020. Digital print on archival watercolor paper with hand-cut and torn elements, construction paper, wallpaper, poster board, acrylic gel medium, feathered monarch butterflies, 9 1/4 × 46 3/4 feet (overall). Courtesy of the artist and Monique Meloche Gallery, Chicago. Installation view, Ebony G. Patterson ...when the cuts erupt...the garden rings...and the warning is a wailing..., Contemporary Art Museum St. Louis, 2020. Photo: Dusty Kessler. © Ebony G. Patterson.

Upcoming exhibitions at ICA/Boston

Revival: Materials and Monumental Forms May 26–September 5, 2022 ICA Watershed The ICA Watershed presents Revival: Materials and Monumental Forms, an exhibition of large-scale installations by international artists who reclaim industrial and everyday materials. Inspired by the Watershed building’s mixed-use history—built in the 1930s as a copper pipe and sheet metal manufacturing plant and renovated by the…

Read more

Vera Molnar, Interruptions, 1968. Plotter drawing in ink on Benson plotter paper, 13.5 x 12.75 inches.

Vera Molnár: Variations at University of California, Irvine

April 2–August 27, 2022 The Beall Center for Art + Technology at the University of California, Irvine (UCI) presents Vera Molnár: Variations, a survey of Molnar’s work from 1958 to 2014, both her pre-computational and early computational drawings. The computational drawings in the exhibition focus on three kinds of objects: lines, squares, rectangles, and scribbles, each…

Read more

Synnøve Anker Aurdal, Solen, 1968. Tangen Collection. Photo: Vegard Kleven

Synnøve Anker Aurdal at Astrup Fearnley Museet

May 21–September 4, 2022 This year’s summer exhibition is devoted to Synnøve Anker Aurdal (1908–2000), one of Norway’s foremost textile artists. The presentation features works from the Astrup Fearnley Collection alongside key pieces loaned from other collections in Norway, a number of which have rarely or never before been shown in public. Together, these works illustrate…

Read more

Screening of The Shape of Light on the M+ Facade, M+, West Kowloon Cultural District, Hong Kong, 2022. Courtesy of Ellen Pau and M+, Hong Kong. Photo: Lok Cheng. M+, Hong Kong.

M+ and Art Basel co-commission The Shape of Light by Ellen Pau

May 20–June 19, 2022 Live performance: May 27, 5–8pm, Ellen Pau in collaboration with Shane Aspegren, Amy Chan, Elysa Wendi, and Quinn Wong Artist talk and screening: May 28, 2–3:30pm, Ellen Pau in dialogue with Ulanda Blair Grand Stair, M+ Online screening : May 29–June 1, a collection of Ellen Pau’s pioneering videos made between 1988 and 2015 M+, Asia’s first global museum of contemporary…

Read more

Marguerite Humeau, Waste I - 1 (a respiratory tract mutating into industrial waste), 2019. Courtesy of the artist and CLEARING, New York, Brussels. Photo: Eden Krsmanovic.

The Power Plant presents BREATHLESS

May 20–October 30, 2022 Artists: Flaka Haliti, Marguerite Humeau, Donna Kukama, and Julius von Bismarck The Power Plant is pleased to present a unique partnership with guest curator Ala Roushan: BREATHLESS—a project arising from today’s urgent concerns for our shared atmosphere. Conceived as a conceptual ecosystem, BREATHLESS manifests as an outdoor pavilion with integrated artworks that address…

Read more

View of Tassili, SculptureCenter, New York, 2022. Photo: Charles Benton.

Lydia Ourahmane: Tassili at SculptureCenter

Lydia Ourahmane’s works often begin as large, open-ended propositions that find the edges of possibility within the political, environmental, and metaphysical conditions in which she operates. Lydia Ourahmane: Tassili is an engagement with a remote desert, how and why one travels there, and the conditions of image production. Specifically it is about Tassili n’Ajjer, a…

Read more